Only Ariel seems to think any of this weird stuff is suspicious. To everyone else it's just show business. Artists are oddballs and that comes with the territory. What are obsessive fans if not cultists,

Casting is important. I feel like I’ve seen dozens of interviews with directors who humbly suggest that once you hire the right actors and let them do their thing, brilliance follows. It’s rare these days to see a truly rotten pairing of performer and role,

Marking his official musical debut as a vocalist, John Malkovich performs all three tracks in tone with the film's mysterious Alfred Moretti. Produced and written by Nile Rodgers and The Dream, the project displays pure creativity and utter decay of a pop star in rebirth.

Malkovich tells Consequence that "I've done all kinds of unlikely things, but that was really a singular experience." How John Malkovich Manipulates the Music in Opus

In the new horror movie “Opus,” we are introduced to Alfred Moretti, the biggest pop star of the ’90s, with 38 No. 1 hits and albums as big as “Thriller,” “Hotel California” and “Nebraska.”

Dorchester’s Ayo Edebiri plays a young journalist who’s invited to the desert compound of Malkovich’s cultish character, Moretti.

The iconic actor and writer-director Mark Anthony Green discuss the thriller and who inspired Malkovich's maleficent Moretti, a man who puts the cult in pop culture.

The famously intense actor is a bad fit for the role of a dance-pop megastar in Mark Anthony Green's debut film.

Grae Drake is at Graumann's Egyptian theater in Los Angeles talking to the stars of Opus about what makes celebrities fascinating. Ayo Edebiri, John Malkovich, Juliette Lewis, director/writer Mark Anthony Green,