Bad Bunny's ‘Debí Tirar Más Fotos’ beats Taylor Swift's 'Lover: Live From Paris' vinyl and digital download reissue by just 1,000 units.
Bad Bunny owns half of the top 10 on the Billboard Global Excl. U.S., scoring three new wins this week, which helps him push past Taylor Swift's all-time record.
So much so, that artists as seasoned as Taylor Swift herself, now have to face the wrath of out-of-league stars like Bad Bunny, who had been her friendly company at the top for weeks on end. However,
Swift doesn’t just land at No. 1 on the Top Album Sales roster—she doesn’t give any other project a chance. Lover: Live In Paris outsold the other 49 titles on the list this week combined, with less than 1,000 sales of wiggle room.
Bad Bunny’s “Debí Tirar Más Fotos” clinches No. 1 on the Billboard 200, narrowly surpassing Taylor Swift's live album.
Coming in at No. 2 on the Billboard 200 chart dated Saturday are Taylor Swift 's Lover: Live From Paris, followed by SZA's SOS at No. 3, Kendrick Lamar 's GNX at No. 4 and Lil Baby's Wham at No. 5.
Along with the catchy rhythms on Bad Bunny's new album "Debir Tirar Mas Fotos," his lyrics touch on issues facing Puerto Rico such as gentrification.
The album at No. 2, with 202,500 equivalent album units to Bad Bunny's 203,500? That'd be Lover: Live From Paris, a 2019 recording of a concert by none other than Taylor Swift. (The recording chronicles the last show Swift performed to promote her album ...
Bad Bunny’s Debí Tirar Más Fotos hits No. 1 on the Billboard 200 with massive streaming numbers, while Taylor Swift’s Lover: Live From Paris reenters the chart at No. 2, breaking vinyl sales records.
Bad Bunny‘s “Debí Tirar Más Fotos” ascends ... as the 17-song set climbed to No. 1 with just 1,000 units over Taylor Swift’s “Lover (Live From Paris)” vinyl reissue, which the ...
Bad Bunny’s Debí Tirar Más Fotos barely takes the No. 1 spot on the Billboard 200 after Taylor Swift released a vinyl version of Lover: Live From Paris, landing her at No. 2. Keep watching to ...
There’s a bit of a paradox to these. The sort of people who follow music — say, by reading pop music columns — have probably known about many featured artists for a while. The sort of people who don’t follow music probably aren’t following early awards-show announcements or internet music roundups.